We immediately switch to a scene at Candace’s house, where the family sits somberly as the phone rings and a voice announces a collect call from the Durham County Jail on the answering machine. He reminds her how important it is that the family sticks together. He jokes with Todd (Patrick Schwarzenegger) about accepting his calls from jail, then talks to Margaret about his concerns that Kathleen’s sisters, Candace Zamperini (Rosemarie DeWitt) and Lori Campbell (Maria Dizzia), are not taking his calls. Then we switch to Michael in jail, calling home. Margaret tells her they don’t remember Germany and doesn’t want to talk about it. She wants to talk about what happened to her sister - the girls’ mother - in Germany. The aunt of Margaret (Sophie Turner) and Martha Ratliff (Odessa Young) calls and upsets Margaret. The film won the Academy Award for Best Documentary Feature in 2002.) ( Backstory: The two had just released “Murder on a Sunday Morning,” a documentary about Brenton Butler, a 15-year-old Black teenager wrongfully accused of murder in Jacksonville, Florida.
Documentary film producer Denis Poncet (Frank Feys) is trying to convince director Jean-Xavier de Lestrade (Vincent Vermignon) to consider the Peterson case for their next film. Episode 2: French filmmakers enter the storyĭecember 2001, Paris: Episode 2 opens in Paris, France, shortly after the death of Kathleen Peterson.
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Even though many of us - locals who lived through the original coverage of the case and those who have watched the documentary series - likely know the significance of various plot points, we’ll try in the recaps to stick with the dramatic timeline and not spoil events that take place in future episodes.Īlso note: Remember, this is a dramatic version of events, which means some things depicted may or may not have happened the way we see.īelow the recap you’ll find links to other coverage of “The Staircase,” including a timeline of Peterson events, an update on where major players in the case are now, a closer look at The Owl Theory and more. Note: The narrative of Campos’ dramatic retelling of the Peterson saga jumps around in time.